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Panasonic S1 IIE Official Press Release

We have one more camera announcement: the Panasonic S1 IIE. The camera uses the same sensor that we have seen in the Panasonic S5 II X camera. The camera can do up to 30 fps burst shooting, which is a great thing. Of course, 1.5 seconds of pre-burst capture are also available. Of course, the 96 MP high-resolution images are also available, so all those things that we were getting in the…

Panasonic S1 IIE Press Release

  • 24MP BSI CMOS sensor
  • Up to 30fps e-shutter shooting with C-AF and Raw
  • 1.5 seconds pre-burst capture
  • 96MP high-resolution multi-shot mode
  • 10-bit HEIF recording
  • 6K 4:2:0 open-gate recording up to 30p
  • Internal Raw recording
  • 32-bit float recording via optional XLR 2 adapter
  • 2.1M dot flip-out and tilting display
  • 5.76M dot viewfinder

The Panasonic S1 IIE will be available starting in late June for a recommended price of $2499. Available at B&H Store

Panasonic S1 IIE Press Release

Panasonic Announces Two New Full-Frame Mirrorless Cameras – LUMIX S1II and LUMIX S1IIE – and New LUMIX S 24-60mm F2.8 Lens

Newark, N.J. (May 13, 2025) – Panasonic is pleased to announce the expansion of its renowned LUMIX S Series with the introduction of two new models, the LUMIX S1II and S1IIE. These cameras are designed to offer exceptional photographic and videographic capabilities, characterized by remarkable image quality, dynamic color representation, and significant advancements in video technology.

Meticulously crafted for professional photographers and videographers, the LUMIX S1II features a newly developed 24.1MP full-frame partially stacked CMOS image sensor and is powered by an advanced-generation Venus Engine. This synergy enables faster readout speeds and processing, supporting high frame rate recording in formats such as 4K120p and 5.8K 60p. (*1) For superior dynamic range, the Dynamic Range Boost mode delivers up to 15 stops (*2) in V-Log at frame rates below 30p. Photographers can also take advantage of high-speed continuous shooting at up to 70 frames per second (*3) with SH / SH pre-burst shooting up to 1.5 seconds allowing the capture of even the most fleeting moments.

Elevating workflow efficiency, the LUMIX S1II enhances creative flexibility and streamlines content production. The highly-acclaimed Open Gate feature now supports additional formats beyond 6K30p–including 5.1K60p–unlocking even more options for creators. An upcoming firmware update will introduce multiple frame marker displays, providing further tools for precise and flexible framing.

The LUMIX S1IIE, joins the second-generation S1 series, maintaining the celebrated design and ergonomic excellence of the S1II and S1RII, offering potential for creative exploration. It is equipped with a 24.2MP sensor inspired by the characteristics of the LUMIX S5II, ensuring exceptional image quality tailored for diverse shooting conditions. Incorporating many of the standout features from the S1II, the S1IIE positions itself as a comprehensive tool for creative projects. Notably, it introduces a new Cinemascope video format (2.4:1), available in various frame rates without cropping, up to 60p.

Panasonic anticipates the LUMIX S1IIE will become a preferred choice for those seeking upgrades in ergonomic design and refined engineering.

With the debut of the LUMIX S1II and S1IIE, Panasonic continues to empower creators within the S1 Series. Both new models are designed to support the pursuit of self-expression through elevated performance and versatility.

The LUMIX S1II and S1IIE camera will be available starting late June at valued channel partners.

LUMIX S1II Main Features

High framerate recording and wide dynamic range with a newly developed partially stacked sensor

  • Adopts a newly developed 24.1MP full-frame, partially stacked CMOS image sensor
  • Supports LUMIX’s first 5.1K 60p high-speed recording option, along with other high-speed formats such as 4K 120p / 5.8K 60p for enhanced performance. (*1) (*4).
  • Offers LUMIX’s first 15 stops of dynamic range video recording (*2) in V-Log at frame rates below 30p. (*4)
  • High-speed continuous shooting, offering up to 70 fps (*3) with the electronic shutter “SH/SH PRE” mode, and an extended continuous shooting “H+ (High Speed Plus)” mode of approximately 10 fps with a mechanical shutter, allowing you to experience post view blackout-free shooting.

LUMIX S1IIE Main Features

Exceptional image quality tailored for diverse shooting conditions

  • Adopts 24.2MP sensor inspired by the performance characteristics of the LUMIX S5II
  • Supports 6K 30p (3:2) open gate video recording
  • Offers 14+ stops of dynamic range video recording in V-Log
  • High-speed continuous shooting, offering burst shooting up to 30 fps with the electronic shutter “SH/SH PRE” mode, and an extended continuous shooting “H+ (High Speed Plus)” mode of approximately 10 fps with a mechanical shutter, allowing you to experience post view blackout-free shooting.

LUMIX S1II and S1IIE Common Features

Enhanced core performance that unlocks new creative possibilities

  • Redefined real-time recognition Phase Hybrid AF with improved eye and face detection and AI-driven tracking accuracy for people.
  • Addition of the new AF recognition for ‘Urban Sports’, accurately capturing dynamic movements like breakdancing, skateboarding, and parkour.
  • Enhanced 8.0-stop (*5) in-body image stabilization (B.I.S.) and newly developed cropless E.I.S. video distortion correction, which stabilizes without cropping the angle of view.
  • ARRI LogC3 (*6) (*7) available for the first time for S series by using DMW-SFU3A Software Upgrade Key (sold separately). (*4)
  • Supports 5.8K 30p / C4K 60p Apple ProRes RAW HQ / ProRes RAW internal recording to a CFexpress Type B card.

Outstanding reliability and efficiency

  • High-resolution 5.76 million-dot electronic viewfinder (EVF) and a versatile 1.84 million-dot tilt and free-angle monitor and are equipped with a sturdy shutter mechanism rated for up to 400,000 cycles.
  • Operating efficiently at temperatures as low as -10 degrees Celsius.
  • Dual recording media options supporting SD and CFexpress Type B cards.
  • Seamless integration with accessories such as the DMW-BG2 and DMW-XLR2.

Apps and software that seamlessly support workflow

  • Compatibility with Capture One, making it work seamlessly with professional studio photography’s widely used editing software.
  • Compatibility with Frame.io, enabling smooth progression from shooting to editing, as well as cloud sharing and collaboration.
  • Supports LUMIX Lab, simplifying the transfer, editing, and color personalization of photos and videos for seamless smartphone integration and social media sharing.
  • Updated ver.1.5 supports the following feature:
    • HEIF file compatibility
  • Supports LUMIX Flow, which assists with storyboard creation, on-site checks during filming, and automatic data organization after shooting to support the video production workflow.
  • Updated ver.1.1 supports the following features:
    • Wireless connection
    • Additional assist features (Wave form monitor / Vectorscope / False color)
    • Mirroring monitor function
  • Capable of setting distinct parameters for photography and videography and seamlessly transfer settings from one camera to another using an SD card, thus ensuring uniform settings across diverse camera models.

Panasonic S1 II Press Release | Specification

Panasonic finally announced the Panasonic S1 II camera. The camera features 24 Mp BSI CMOS sensor that we have seen in the Nikon Z6 Mark 3, continuous speed up to 70 frames per second including RAW and 1.5 seconds of pre-burst capture which is longest among competitors, and also it includes open gate 6K video recording with full-width 5.9K and up to 4K 60p recording, 4K 120 APS-C with slight crop, and 6G-SDI over HDMI as well as they have included a built-in fan for extended recording. So these are the basic features we have with the camera.

Get Panasonic S1 II Camera from Amazon.com | B&H Store

Key specifications

  • 24MP partially-stacked BSI CMOS sensor
  • Up to 70fps shooting, including Raw
  • 1.5 seconds pre-burst capture
  • 96MP multi-shot mode with in-cam combination and motion correction
  • 10-bit HLG HEIF still images
  • In-body stabilization rated at up to 8.0EV of correction
  • Open-gate 6K video up to 30p
  • Full-width 5.9K or 4K up to 60p
  • 4K/120p video with slight crop
  • 6K Raw output over HDMI
  • Built-in fan for extended recording
  • External SSD output for video
  • V-Log with 15-stops in DR Boost mode
  • Arri C-Log3 paid upgrade option
  • 4-channel and 32-bit float audio with XLR2 adapter
  • Bluetooth timecode sync

The Panasonic S1 II will ship in June 2025 at a recommended price of $3199. That’s way too high compared to the Nikon Z6 III camera , which is available for $2096.

Panasonic S1 II Press Release

Panasonic Announces Two New Full-Frame Mirrorless Cameras – LUMIX S1II and LUMIX S1IIE – and New LUMIX S 24-60mm F2.8 Lens

Newark, N.J. (May 13, 2025) – Panasonic is pleased to announce the expansion of its renowned LUMIX S Series with the introduction of two new models, the LUMIX S1II and S1IIE. These cameras are designed to offer exceptional photographic and videographic capabilities, characterized by remarkable image quality, dynamic color representation, and significant advancements in video technology.

Meticulously crafted for professional photographers and videographers, the LUMIX S1II features a newly developed 24.1MP full-frame partially stacked CMOS image sensor and is powered by an advanced-generation Venus Engine. This synergy enables faster readout speeds and processing, supporting high frame rate recording in formats such as 4K120p and 5.8K 60p. (*1) For superior dynamic range, the Dynamic Range Boost mode delivers up to 15 stops (*2) in V-Log at frame rates below 30p. Photographers can also take advantage of high-speed continuous shooting at up to 70 frames per second (*3) with SH / SH pre-burst shooting up to 1.5 seconds allowing the capture of even the most fleeting moments.

Elevating workflow efficiency, the LUMIX S1II enhances creative flexibility and streamlines content production. The highly-acclaimed Open Gate feature now supports additional formats beyond 6K30p–including 5.1K60p–unlocking even more options for creators. An upcoming firmware update will introduce multiple frame marker displays, providing further tools for precise and flexible framing.

The LUMIX S1IIE, joins the second-generation S1 series, maintaining the celebrated design and ergonomic excellence of the S1II and S1RII, offering potential for creative exploration. It is equipped with a 24.2MP sensor inspired by the characteristics of the LUMIX S5II, ensuring exceptional image quality tailored for diverse shooting conditions. Incorporating many of the standout features from the S1II, the S1IIE positions itself as a comprehensive tool for creative projects. Notably, it introduces a new Cinemascope video format (2.4:1), available in various frame rates without cropping, up to 60p.

Panasonic anticipates the LUMIX S1IIE will become a preferred choice for those seeking upgrades in ergonomic design and refined engineering.

With the debut of the LUMIX S1II and S1IIE, Panasonic continues to empower creators within the S1 Series. Both new models are designed to support the pursuit of self-expression through elevated performance and versatility.

The LUMIX S1II and S1IIE camera will be available starting late June at valued channel partners.

LUMIX S1II Main Features

High framerate recording and wide dynamic range with a newly developed partially stacked sensor

  • Adopts a newly developed 24.1MP full-frame, partially stacked CMOS image sensor
  • Supports LUMIX’s first 5.1K 60p high-speed recording option, along with other high-speed formats such as 4K 120p / 5.8K 60p for enhanced performance. (*1) (*4).
  • Offers LUMIX’s first 15 stops of dynamic range video recording (*2) in V-Log at frame rates below 30p. (*4)
  • High-speed continuous shooting, offering up to 70 fps (*3) with the electronic shutter “SH/SH PRE” mode, and an extended continuous shooting “H+ (High Speed Plus)” mode of approximately 10 fps with a mechanical shutter, allowing you to experience post view blackout-free shooting.

LUMIX S1IIE Main Features

Exceptional image quality tailored for diverse shooting conditions

  • Adopts 24.2MP sensor inspired by the performance characteristics of the LUMIX S5II
  • Supports 6K 30p (3:2) open gate video recording
  • Offers 14+ stops of dynamic range video recording in V-Log
  • High-speed continuous shooting, offering burst shooting up to 30 fps with the electronic shutter “SH/SH PRE” mode, and an extended continuous shooting “H+ (High Speed Plus)” mode of approximately 10 fps with a mechanical shutter, allowing you to experience post view blackout-free shooting.

LUMIX S1II and S1IIE Common Features

Enhanced core performance that unlocks new creative possibilities

  • Redefined real-time recognition Phase Hybrid AF with improved eye and face detection and AI-driven tracking accuracy for people.
  • Addition of the new AF recognition for ‘Urban Sports’, accurately capturing dynamic movements like breakdancing, skateboarding, and parkour.
  • Enhanced 8.0-stop (*5) in-body image stabilization (B.I.S.) and newly developed cropless E.I.S. video distortion correction, which stabilizes without cropping the angle of view.
  • ARRI LogC3 (*6) (*7) available for the first time for S series by using DMW-SFU3A Software Upgrade Key (sold separately). (*4)
  • Supports 5.8K 30p / C4K 60p Apple ProRes RAW HQ / ProRes RAW internal recording to a CFexpress Type B card.

Outstanding reliability and efficiency

  • High-resolution 5.76 million-dot electronic viewfinder (EVF) and a versatile 1.84 million-dot tilt and free-angle monitor and are equipped with a sturdy shutter mechanism rated for up to 400,000 cycles.
  • Operating efficiently at temperatures as low as -10 degrees Celsius.
  • Dual recording media options supporting SD and CFexpress Type B cards.
  • Seamless integration with accessories such as the DMW-BG2 and DMW-XLR2.

Apps and software that seamlessly support workflow

  • Compatibility with Capture One, making it work seamlessly with professional studio photography’s widely used editing software.
  • Compatibility with Frame.io, enabling smooth progression from shooting to editing, as well as cloud sharing and collaboration.
  • Supports LUMIX Lab, simplifying the transfer, editing, and color personalization of photos and videos for seamless smartphone integration and social media sharing.
  • Updated ver.1.5 supports the following feature:
    • HEIF file compatibility
  • Supports LUMIX Flow, which assists with storyboard creation, on-site checks during filming, and automatic data organization after shooting to support the video production workflow.
  • Updated ver.1.1 supports the following features:
    • Wireless connection
    • Additional assist features (Wave form monitor / Vectorscope / False color)
    • Mirroring monitor function
  • Capable of setting distinct parameters for photography and videography and seamlessly transfer settings from one camera to another using an SD card, thus ensuring uniform settings across diverse camera models.

Panasonic LUMIX S1 II Specification

 

The Panasonic S1 II camera arrives with the same 24 MP partially stacked CMOS sensor we have seen in the Nikon Z6 III camera. The Panasonic S1 II full specification is now available. Let’s have a detailed look at the core specification

LUMIX S1 II Specifications

Image Sensor

  • Type: 35mm CMOS
  • Effective Pixels: 24.1MP
  • Dynamic Range: 15 stops (V-Log DR Boost), 14+ stops (V-Log)
  • Dust Removal: Sensor-shift with AR coating
  • Image Stabilization: 5-axis (8 stops central, 7 stops peripheral, Dual I.S. 2)
  • ISO: Normal (100-51200), V-Log (640-51200), DR Boost (On/Off), Dual Native ISO (Auto/Low/High)

Storage

  • Slot 1: CFexpress Type B
  • Slot 2: SD UHS-II

Autofocus

  • Type: Phase Detection + Contrast
  • Focus Points: 779 (Phase) / 315 (Contrast)
  • Brightness Range: -6 to 18EV
  • Object Detection: People, Animals, Cars, Motorcycles, Trains, Airplanes

Shutter

  • Mechanical: 60s – 1/8000s
  • Electronic Front Curtain: 60s – 1/2000s
  • Electronic: 60s – 1/16000s
  • Flash Sync: 1/250s

Continuous Shooting

  • Mechanical: Up to 10fps (H+, AFC)
  • Electronic: Up to 30fps (SH, AFC), 10fps (H+, AFC)
  • Burst Capacity: 200+ RAW (Mechanical), 180 RAW (SH)

Viewfinder

  • Type: OLED
  • Resolution: 5.76M dots
  • Frame Rate: 60/120fps

Monitor

  • Size: 3.0″ Free-Angle
  • Resolution: 1.84M dots

Video

  • Frame Rates:
    • 6K 59.94p (LGOP)
    • 4K 119.88p (LGOP), 59.94p (ALL-I/ProRes)
    • 5.8K 29.97p (ProRes)
  • Output: MOV (H.264/H.265/ProRes/ProRes RAW), MP4 (H.264/H.265)
  • Log: V-Log, ARRI LogC3 (with DMW-SFU3A)
  • Audio: LPCM (24-bit), 32-bit float (XLR2)

Connectivity

  • USB: USB-C (10Gbps), 4K 29.97p Streaming
  • HDMI: Type A
  • Audio Ports: 3.5mm Mic, 3.5mm Headphone
  • Wireless: Wi-Fi (5/2.4GHz), Bluetooth 5.0, FHD 59.94p Streaming
  • Other: 2.5mm Remote

Battery

  • Type: 7.2V, 2200mAh
  • Shots: 348 (CFexpress, LVF), 359 (SD, LVF)
  • Battery Grip: DMW-BG2 (sold separately)

Physical

  • Dimensions: 134.3 x 102.3 x 91.8mm
  • Weight: 718g (body), 800g (with battery)
  • Build: Dust and water resistant

Panasonic S1 IIE specification here

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Panasonic LUMIX S1E II Specification

We have already published the leaked images of the Panasonic S1E II; now, it’s time for the full specifications.

Panasoinic LUMIX S1IIE (Official Text)
Elevate your storytelling with the new CinemaScope 4K 60p aspect ratio, delivering a cinematic view without any cropping. With the intuitive operation of the S1 series, including the LUMIX S1RII and S1II, the S1IIE enhances creative exploration with ease. Both models feature advanced AF precision and new ‘Urban Sports’ recognition, and 8.0-stop in-body stabilization for steady shooting.

Panasonic LUMIX S1E II Specification

Main Features

  • Adopts a 24.2MP sensor that inherits the performance characteristics of the LUMIX SSII
  • Realizing high image quality in a variety of shooting condition
  • Supports 6K 30p (3:2) open gate video recording
  • V-Log allows video recording with a dynamic range of over 14 stops
  • Experience blackout-free shooting with the electronic shutter mode “SH/SH PRE” for high-speed continuous shooting at up to 30 frames per second and the extended continuous shooting mode “H+” at approximately 10 frames per second using a mechanical shutter
  • 14+ stops of dynamic range V-LOG
  • Full frame 6K30p OG, 6K60p 2.4:1, 4K30p 16:9/17:9, 4K60p 2.4:1
  • APS-C 3.3K 50p 4:3, 4K60p 16:9/17:9
  • S&Q 4K 2.4:1 60fps, FHD 180fps
  • 120Hz 5.76 million dot EVF
  • 779 points Phase AF
  • Dual Native ISO 100/640 5-
  • Axis image stabilization 8 stops at center, 7 stops at periphery
  • 1/8000s mechanical shutter
  • 30fps continuous shooting with electronic shutter, 10fps mechanical shutter

Second-generation S1 series, the LUMIX S1IIE maintains the acclaimed design and ergonomic excellence of the S1II and S1RII, offering potential for creative exploration. It is equipped with a 24.2MP sensor inspired by the characteristics of the LUMIX S5II, ensuring exceptional image quality tailored to various shooting conditions. It incorporates notable features from the S1II, positioning itself as a comprehensive tool for creative projects. Notably, the LUMIX S1IIE introduces a new Cinemascope (2.4:1) video format available in various frame rates, including uncropped 60p. Panasonic anticipates that the LUMIX S1IIE will be the preferred choice for those seeking improvements in ergonomic design and refined engineering.

LUMIX S1IIE

  • Cinemascope 4K60p aspect ratio
    – Delivers a cinematic view without cropping for improved storytelling
  • The S1 series’ intuitive operability makes creative exploration
    easy
  • Advanced AF precision and new “Urban Sports” recognition
  • Equipped with 8.0-stop in-body image stabilization
  • Award-winning design and ergonomics on the S1II and S1RII
  • Equipped with a 24.2MP sensor inspired by the features of the LUMIX S5II
  • Equipped with the outstanding features of the S1II, it is a comprehensive tool for creativity
  • Introduces new Cinemascope (2.4:1) video format available in a variety of frame rates including non-cropped 60p

Improved core performance to unlock new creative possibilities

  • Real-time recognition redefined:
    On-chip phase detection AF improves eye and face detection, and enhances AI-enabled people tracking accuracy.
  • Equipped with new AF recognition for “urban sports” –
    accurately captures dynamic movements such as breakdancing, skateboarding, and parkour
  • 8.0-stop in-body image stabilization (BIS)
  • Newly developed No-Crop EIS video distortion correction has been improved
  • By using the separately sold software update key DMW-SFU3A, ARRI LogC3 will become available for the first time on the S Series.
  • Supports internal recording of 5.8K 30p / C4K 60p Apple ProRes RAW HQ / ProRes RAW to CFexpress Type B cards.

The image sensor appears the same as the S5II’s 24MP CMOS. There may not be any major improvements in image quality or rolling shutter performance, but CFexpress (high bitrate internal recording), improved AF, image stabilization, and video functions are likely to be its strengths.

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Sony FX3a vs. Sony FX3 – which one is the best camera for you?

Sony FX3A or Sony FX3 – which one is the best camera for you? It’s better for you, we know that Sony has done a kind of a minor refresh in the ultra-popular Sony FX3 — a compact full-frame cinema camera for solo cinematographers. Now, in this article, we are just exploring this update.

Sony FX3A – what changed inside this camera?

1.Enhanced LCD resolution:
The new FX3A features a 2.35 million-dot, 3-inch LCD screen on the rear side of the camera, which is a kind of good jump from the 1.4 million-dot display. It is now more sharp and has better brightness for outdoor use.

2.Removed features:
Sony dropped out the NFC functionality as well as the infrared remote control feature from the new generation of FX3A camera. That means now we have no quick wireless pairing via NFC, although we do have the usual method of connectivity via Wi-Fi/Bluetooth, which may frustrate some users with legacy workflows.

Take a look at the quick comparison table between the two that shows the major differences between the FX3A and the FX3.

Sony FX3a vs Sony FX3: Side-by-Side Comparison

Feature Sony FX3 Sony FX3a
LCD Resolution 1,440,000 dots 2,359,296 dots
NFC Functionality Yes No
Infrared Remote Yes No
Sensor 12.1MP Full-Frame Exmor R CMOS 12.1MP Full-Frame Exmor R CMOS
Video 4K 120fps, 10-bit 4:2:2, 16-bit RAW 4K 120fps, 10-bit 4:2:2, 16-bit RAW
Dynamic Range 15+ stops 15+ stops
ISO Range 80-409,600 (expanded) 80-409,600 (expanded)
Price (Approx.) ~$3,898 (discontinued, discounted) ~$3,898 (B&H listing)

Why did Sony release the FX3A?
See, there was no option — the supplier’s stock of the existing LCD display screen has been discontinued by the display makers. So, they had to introduce the new display. But that’s really surprising — why did they drop the NFC and the infrared controller from the camera? Maybe to cut down the production line cost — who knows!

Should you buy the FX3A camera?
If you already own a Sony FX3 camera, then there is no need to invest in the FX3A. It doesn’t arrive with any significant upgrade over the FX3, and even the price is exactly the same. And believe me, more or less, you are losing the infrared and NFC connectivity, so better to stick with your FX3 camera.

For new buyers, let’s discuss — should you buy FX3?
The Sony FX3 is actually phasing out, since Sony does not have the old display screen anymore. And the new bodies also lose the infrared as well as the NFC port.

But you have to make a very smart choice, since there is a fact we should consider — the new model gets regular firmware support from the camera maker, and generally they care a bit less about the older ones. So, if you actually have a requirement of having a remote control or NFC connectivity, then you should go with the older model as soon as possible. Otherwise, getting the FX3A would be the best decision.

When will the Sony FX3 Mark II arrive?
Check out the latest Sony FX3 Mark II rumours for more information.

Sony FX3 at Amazon.com | B&H Store —- | Sony FX3a at B&H Store

The article “Sony FX3a vs. Sony FX3 – which one is the best camera for you?” was published at 4:47 pm, Saturday, 10 May 2025, Greenwich Mean Time (GMT). By thenewcamera.com Team. You can follow us on our social pages  FACEBOOK | TWITTER | INSTAGRAM,  –>If you have time –>see more Sony Alpha Rumor Latest Camera News

Nikon Z50 II and Nikon Z6 III Are Driving Major Sales for Nikon

Nikon mirrorless cameras are stealing the spotlight in 2025 financial report, then I can’t get Z50 II and the Nikon Z6 III according to Nikon Imaging Business 5.6% increase in the revenue that will reach 295,363 million yen for the fiscal year ending March 2025, but what makes these two mirrorless cameras so popular among the Nikon users, let’s explore some facts

In the Imaging Products Business, the Group recorded a year-on-year increase in revenue due to an increase in the number of interchangeable lenses and mirrorless cameras sold, mainly Z50II APS-C size mirrorless camera, Z6III fullframe mirrorless camera, and other new products, as well as the positive effects of the yen depreciation. The Group, however, recorded a year-on-year decrease in profit due to the operating loss of RED, which was affected by the sluggish cinema industry, and the recognition of one-time costs such as impairment losses on non-current assets at Mark Roberts Motion Control Limited. As a result, this business segment recorded revenue of 295,363 million yen (up 5.6% year on year) and operating profit of 41,306 million yen (down 11.3% year on year).

Why the Nikon Z50 II and Nikon Z6 III are winning

The Nikon Z50 II is very much popular among beginner wedding photographers, hybrid shooters, and even content creators, and the Z6 II is popular among professionals. Nikon Z50 II and the Nikon Z6 III have more than just cameras, they are the actual proof of Nikon’s mirrorless momentum in 2025. Now Nikon is doubling down on the mirrorless plan and potentially leading to new lenses, accessories, and even planning higher-end models like Z9 Mark II, as well as they’re also planning to refresh the Nikon Z30 with Nikon Z30 Mark II as per the latest set of rumours.

The Nikon Z50 II is a compact powerhouse camera

Nikon Z50 II Comparison
Nikon Z50 II vs Sony ZV-E10 II
Nikon Z50 II vs Sony A6700
Nikon Z50 II vs Canon R10

Best Lenses of Nikon Z50 II
Best Lenses for Nikon Z50 II

Nikon Z50 II Latest Firmware Update

Nikon Z50 II Firmware 1.01 Download – Pre-Release Capture Now with SmallRig SR-RG2 Grip

Stay tunedfor  more news and updates coming

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Panasonic S1 II and S1 IIE Coming on May 13, Specifications and Images Leaked

According to the latest rumors, the Panasonic S1 Mark II and Panasonic S1 Mark IIE announcement on expected on May 13th, 2025. Not only these cameras, LUMIX S 24-60mm F2.8 is also expected to arrive along with these two new cameras.

Panasonic S1 II and S1E II Leaked Images now available, The body design looks very similar to the latest Panasonic S1R Mark II Camera. We have already shared the leaked specification of these upcoming cameras

Also, have a look at the Leaked Image of the S1 Mark II / S1 II, you can see the differences in the logo of both the camera and the images look very authentic

Panasonic S1 II Specifications

24MP partial stacking – Same sensor as we have seen in the Nikon Z6 Mark III
70fps – Maximum Electronic Continuous shooting speed scalable with Partially stacked CMOS sensor
No blackout – Upscaled EVF
4k120p non-cropped – All thanks to the New sensor and enhanced readout algorithm
3500€ – Not possible? since the nearest competitor – NIKON Z6 III Mirrorless Digital Camera (Body Only) ; Select Package. 24-120mm f/4 S Kit. Body ; EUR €1,839.00 

Panasonic S1 IIE Specifications

24 MP Same sensor as of the Panasonic S5II S5IIx (more confirmation needed)
2,800€.
Lower video specs than the S1II

LUMIX S 24-60 F2.8
544g
999€
control button (Sony Style)

These are the initial specs coming from the rumor mill. We will post an update as soon as we have any new information.

Update on 3:45 am Friday, 9 May 2025 Greenwich Mean Time (GMT)

The S1 and S1H were technically different from each other, and at the time of announcement, the Panasonic S1H was better in video core specification

In this table, we have shown you the major difference between the Panasonic S1 and S1H cameras

And the NEXT update is about the Panasonic S1 II with Z6 III 24 MP Partially stacked CMOS sensor

S1 S1 (with DMW- SFU2 upgrade) S1H
4K resolution options
  • 3840 x 2160
  • 3840 x 2160
  • 4096 x 2160
  • 3840 x 2169
System frequency
  • Region dependent
    (non-switchable)
  • Region dependent
    (non-switchable)
  • 59.97Hz
  • 50Hz
  • 24Hz
LUT-upload?
  • No
  • Yes
  • Yes
Waveforms?
  • No
  • Yes
  • Yes

Log gamma options

(10-bit modes only)

  • HLG
  • V-Log
  • HLG
  • V-Log
  • HLG

4K bitrate options

(up to 30p)

  • 10-bit 4:2:0
    72Mbps Long GOP (HLG mode only)
  • 10-bit 4:2:2
    150Mbps Long GOP
  • 10-bit 4:2:2
    400Mbps ALL-I
    150Mbps Long GOP
  • 8-bit 4:2:0
    100Mbps Long GOP
  • 8-bit 4:2:0
    100Mbps Long GOP

8-bit 4:2:0

100Mbps Long GOP

4K bitrate options

(up to 60p)

  • 10-bit 4:2:2
    HDMI output only
  • 10-bit 4:2:2 (H.265)
    200Mbps LongGOP
  • 8-bit 4:2:0
    150Mbps Long GOP
  • 8-bit 4:2:0
    150Mbps Long GOP

8-bit 4:2:0

150Mbps Long GOP

Some more images

 

Post Update

The post was updated on 4:06 am, Saturday, 10 May 2025, Greenwich Mean Time (GMT) by thenewcamera.com team member

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source Lrumor  Image source & Credit- The Association of Independent Photographers Webio